"Missing piece from Harriet Tubman statue returned to Banneker-Douglass Museum in Annapolis"
Written by: Luke Parker
"Retelling the Story of Abstract Expressionism Through Women Artists"
Written by: Charlotte Jansen
"The Bold and the Brilliant - From Politics to Public Health, Sports, Art, Film, and the Humanities: Six Baltimoreans Who Changed Everything"
Edited by: Ron Cassie
Photography by: Christopher Myers
Written by: Leslie King Hammond
"Soledad Salamé: Finding Poetry in Inconvenient Truths"
Written by: Laura Roulet
"Goofy Gravity and Weighty Gravitas: Jo Smail at Goya Contemporary"
Written by: Barry Nemmett
"Art review: Akron museum shares past as it celebrates centennial"
Written by: Anderson Turner
"Commentary: Why the late Sam Gilliam’s inventive abstract drapes celebrated artistic difference"
Written by Christopher Knight
"Sam Gilliam ‘Took a Step Most People Didn’t Understand Was Possible’"
By Ted Loos
"Johns Hopkins University to award Baltimore Artist Joyce J. Scott honorary Doctor of Humane Letters"
Written by Jannette J. Witmyer
"This Present Moment is Here and Now"
Written by SAAM
"Ninth Edition of Expo Chicago Returns To Navy Pier with Strong Sales, Robust Citywide Programming, and High Attendance of International Curators and Collectors"
"Women take the spotlight in a pair of art shows at the A.U. Museum. ‘Positive Fragmentation’ and ‘Fields and Formations’ showcase female artists from the Mid-Atlantic and beyond"
Written by Mark Jenkins
"Celebrating the Bicentennial of Harriet Tubman"
Written by Paulette Beete
"Sonya Clark’s 'Monumental' Achievements"
Written by Nora Atkinson
"Powerful show of art by women and non-binary artists working in the region today, at the Delaware Contemporary"
Written by Susan Isaacs
"Liliana Porter Finds Art in the Empty Spaces"
Written by Ted Loos
"Goya Contemporary Gallery to represent the Estate of Elizabeth Talford Scott"
"Art Fairs Come Blazing Back, Precarious but Defiant"
Written by Will Heinrich
"Sonya Clark Weaves the History of Black Hair Into Art"
Written by Lowery Stokes Sims
PASSAGES: UNSTRAIGHT LINES
Louise Fishman (1939–2021)
Written by Amy Sillman
"Goya Contemporary Gallery Now Represents the Estate of Elizabeth Talford Scott"
Written by Claire Selvin, Tessa Solomon
"At the National Museum of Women in the Arts, Sonya Clark’s art is both political and deeply personal"
Written by Mark Jenkins
States of Mind at Goya Contemporary Gallery, Baltimore, MD
"Artist Sonya Clark Launches Solidarity Book Project, a Racism, History & Social Justice Initiative"
Written by Amherst College
"How to Read Sam Gilliam’s Formalism"
Written by Peter Schjeldahl
"Louise Fishman: Ballin’ the Jack"
Written by Ksenia Soboleva
"Jo Smail’s Visual Poetry Transforms Loss Into Joy"
Written by Matthew King
"Sanford Biggers Uses Traditional Quilting to Issue a New Message"
Written by Lily Allen
"In His New Works, Sanford Biggers Finds a Future Ethnography"
Written by Seph Rodney
"Cracking Codes With Sanford Biggers"
Written by Siddhartha Mitter
"The Artist Unraveling American History"
Written by Jasmine Wahi
"Pollock-Krasner Foundation Awards Nearly $3 Million In Grants To Artists And Nonprofits"
"Louise Fishman: An Hour is a Sea"
Written by Hearne Pardee
'"She Had an Improvisational Spirit and Rascally Ways’: See the Sculptural Quilts of Pioneering American Textile Artist Elizabeth Talford Scott"
"In the galleries: At American University Museum, a world of atmosphere"
Written by Mark Jenkins
"Review: Better late than never: It’s time to submit to the surprises of Louise Fishman’s art"
Written by Leah Ollman
"Media Studies: Soledad Salamé at Goya Contemporary"
Written by Kerr Houston
"Homegrown painter Louise Fishman gets a victory lap in Philadelphia"
Written by Edith Newhall
"Sonya Clark: The Fabric Workshop and Museum & African American Museum in Philadelphia"
Written by Neil McClister
"School 33 Art Center Announces Art Exhibit To Celebrate Its 40th Anniversary On Light Street"
Written by: Baltimore Office of Promotion & The Art
"On View: ‘Reality, Times Two: Joyce J. Scott & Elizabeth Talford Scott’ at Goya Contemporary in Baltimore"
Written by Victoria L. Valentine
"With Light and Wit: Joyce J. Scott"
Written by Niama Safia Sandy
"Why Baltimore Persists as a Cultural Beacon"
Written by Andrew Martin
"Joyce Scott Mother-Daughter Show Opens at the BMA, Exhibition shows the mutual influence between artists Joyce J. Scott and her mother, Elizabeth Talford Scott."
Written by Lauren LaRocca
"The Confederate flag of surrender rises in Philadelphia"
Written by Gabriella Angeleti
"'This Flag Brought Our Nation Back Together’: Artist Sonya Clark Explains Why She Is Recreating the Little-Known Flag That Ended the Civil War"
Written by Sarah Cascone
"Rediscovering the Confederate Flag of Truce"
Written by Jon Hurdle
"An enormous Confederate flag is going on display in Philly this week — here’s why"
Written by Stephan Salisbury
"Parrish Art Museum Celebrates Women's History Month With 3 New Programs"
Written by Samantha Bergson
"18 Best Black Art Books of 2018"
Written by Victoria L. Valentine
"Finding Common Ground at El Museo del Barrio"
Written by Holland Cotter
"Liliana Porter: Reality, Representation and Problematizing Scale"
Written by Brenda Lozano
Translated by Heather Cleary
Published in Frieze, issue 198, October 2018, with the title ‘Little Labours’
"To Hold Ugliness and Beauty, Joyce J. Scott’s art is unabashedly political, broaching subjects such as guns, racism, and misogyny. It’s also gorgeous, rich with tactile materials, color, and an attention to light"
Written by Jillian Steinhauer
"Inspired by Harriet Tubman, an Artist Takes Glass to Extremes"
Written by Nancy Princethal
"6 Artists Turning Beads into Spellbinding Works of Art"
Written by Ariela Gittlen
"Towering Figure: After Winning a MacArthur Fellowship, Joyce J. Scott Charts New Artistic Territory"
Written by Gabriella Souza
Photography by Mike Morgan
'"I Was an Artist in Vitro' Joyce J. Scott and Her Darkly Beautiful Art"
Written by Ilene Dube
"Joyce J. Scott at Grounds for Sculpture: A fierce vision in beads and glass"
Written by Thomas Hine
"The Playful, Political Art of Sanford Biggers"
Written by Vinson Cunningham
"Celebrating Outstanding Glass Artists Who Happen to Be Women"
Written by Sarah Rose Sharp
"Can Kansas City’s Open Spaces Biennial Help Bridge the Divide in One of America’s Most Segregated Cities? Dan Cameron's new Midwestern biennial aims to mix international artists and local talent in Kansas City."
Written by Max Lakin
"The Sparkling, Haunting Beauty of Joyce J. Scott"
Written by Ilene Dube
"Beginning Anew: Jo Smail at Goya Contemporary"
Written by Andy Martinelli Clark
"Joyce J. Scott presents 'Harriet Tubman and Other Truths' "
Written by Janet Purcell
"Baltimore artist Joyce Scott celebrates Harriet Tubman in retrospective at New Jersey sculpture garden"
Written by Tim Smith
"Goya Contemporary exhibit addresses humans and nature"
Written by Tim Smith
"Fanny Sanín exhibition at Women in the Arts museum follows movement to spotlight female abstract artists"
Written by Sonia Rao
"57th Venice Biennale 'Viva Arte Viva'"
Written by Kevin McGarry
"The jewelry and sculptures about racism and sexism that earned Joyce J. Scott a MacArthur 'genius' award"
Written by Lilia MacLellan
"Baltimore Artist Joyce J. Scott Named MacArthur Fellow"
Written by Tim Smith
"MacArthur Foundation Announces 2016 ‘Genius’ Grant Winners"
Written by Jennifer Schuessler
"The Uneasy Beauty of Joyce J. Scott’s Seductive Forms"
Written by Cara Ober
"The Evolution of Louise Fishman, Brash and Fierce"
Written by Holland Cotter
"Louisa Chase, Painter of Geometric Shapes and Body Parts, Dies at 65"
Written by William Grimes
"Starting from Scratch: Considerate of every mark, painter Jo Smail lets go of what she thinks she knows"
Written by Rebekah Kirkman
"The Ineffable: with subtle variations of form and color, Timothy App's paintings evoke music"
Written by Bret McCabe
"Madeleine Keesing makes a major breakthrough at 73"
Written by Baynard Woods
"Wild Noise: Artwork from The Bronx Museum of the Arts, a ground-breaking collaboration between The Bronx Museum of the Arts and El Museo Nacional de Bellas Artes, Havana."
"Jo Smail's photographs and paintings respond to centuries of change in Florence, Italy"
Written by Marie Claire
"The 2014 Whitney Biennial Is Taking Shape"
Written by Carol Vogel
"Two sides of painting at American University"
Written by Michael O’Sullivan
"Art Observed Interview with Artist Liliana Porter, Pinta New York's Invited Artist for 2012"
Interview by Anna Mikaela Ekstrand
"PROFILE | Lillian Bayley Hoover"
Written by Michael Salcman
"In the Studio: Sanford Biggers"
Written by Stephanie Cash
"The Masters: Timothy App turns to art history for his latest series of paintings"
Written by Kate Noonan
"Row upon row of dots shout color, Keesing's repetitive technique explores interacting hues"
Written by Glenn McNatt
"Artists portrayed as objects are among the views at Goya"
Written by Glenn McNatt
"SHREWD GESTURE: In Twinned Exhibits, Louisa Chase Feints with Paint and Pastel"
Written by Bret McCabe
"Photographs are Again in the Picture"
Written by Glenn McNatt
"Dan Kuhne and Madeleine Keesing at Maryland Art Place"
Written by Joe Shannon
"Beyond Cute; Vibrant Shores; Bold Charcoals"
Written by: Cate McQuaid
"Smiles and symbolism in Weiss' happy world"
Written by: John Dorsey
"Charcoal cartoon images elevated to level of seriousness and authority"
Written: Edward Sozanski
"Review/Art: Works From Nature"
Written by Michael Brenson
"Art: Neo-Expressionists or Neo-Surrealists?"
Written by Vivien Raynor
"Documentation of a Film Maker"
Whitten by Linda Gross
The Los Angeles Times
"Van Dyke: Focusing on the Camera"
Witten by Sheila Benson
Winter, 1982
Metro / Media & Education Quarterly
"Conversations with Willard Van Dyke"
Witten by Tricia Nilvor
Summer, 1983
The Independent Film & Video Monthly
"Interview with Amalie Rothschild Coversations About Willard Van Dyke"
Witten by Kitty Morgan
Winter, 1982
The Los Angeles Times
"Documentation of a Film Maker"
Witten by Linda Gross
Winter. 1982
The Baltimore Sun
"Classic Cameraman is Subject of Award-Winning Documentary"
Witten by Carleton Jones
Winter, 1982
The Scotsman, Edinburgh Festival
"Confessing for the Camera"
Witten by Michael Wigan
Summer, 1982
"Making and Distributing Nana, Mom and Me"
Written by Patricia Erens
"Editorial: Rainer and Rothschild, an Overview"
Written by Cindy Nemser
"Amalie at 27, Film-Maker and Feminist"
Written by Jane Howard
